Patrick Higgs currently uses a language derived from         constructivism within his paintings to create imagery inspired by         abstraction from nature. Mechanical production is implied by the         paintings’ graphic and print-like appearance, yet up close there is         subtle evidence of the artist’s brushwork. The tension between nature’s         order and arbitrariness is demonstrated in the often-ambiguous spatial         layers that are slowly built up within each painting.
Website: http://www.patrickhiggs.co.uk
Studio: FoodFace

Patrick Higgs currently uses a language derived from constructivism within his paintings to create imagery inspired by abstraction from nature. Mechanical production is implied by the paintings’ graphic and print-like appearance, yet up close there is subtle evidence of the artist’s brushwork. The tension between nature’s order and arbitrariness is demonstrated in the often-ambiguous spatial layers that are slowly built up within each painting.

Website: http://www.patrickhiggs.co.uk

Studio: FoodFace

Martina Schmuecker 
Martina Schmuecker makes sculptures in the widest sense of the word.  Using herself as well as directing actors in her work, she creates  visually stunning images that remind us of the tableaux vivant. The  performances are moments of still reflection on a sculptural image,  using elements of architecture and furniture as props as well as playing  with well-known images from art history. Her current research concerns  the relationship between what is seen, what is remembered, and how this  memory changes in time; resulting in the theatre play Feedback Room. The play was realised during a residency at the Irish Museum of Modern Art, Dublin, in 2010. Recent exhibitions include Visual Mechanics, Malta Contemporary, Valletta, 2009; Beyond the Pale Yellow Amusementpark, Campbell Works, London, 2008; The Problem of Error, Gallery Sassa Truelzsch, Berlin, 2008; Glimpse Gallery KraskaEckstein, Bremen; Chateau Ivre, Schloss Sacrow, Potsdam; Contained, Hiscox Art Projects, London 2007 and New Contemporaries, London, 2005.
Studio: The Fourth Floor
Website: http://martinaschmuecker.wordpress.com/

Martina Schmuecker

Martina Schmuecker makes sculptures in the widest sense of the word. Using herself as well as directing actors in her work, she creates visually stunning images that remind us of the tableaux vivant. The performances are moments of still reflection on a sculptural image, using elements of architecture and furniture as props as well as playing with well-known images from art history. Her current research concerns the relationship between what is seen, what is remembered, and how this memory changes in time; resulting in the theatre play Feedback Room. The play was realised during a residency at the Irish Museum of Modern Art, Dublin, in 2010. Recent exhibitions include Visual Mechanics, Malta Contemporary, Valletta, 2009; Beyond the Pale Yellow Amusementpark, Campbell Works, London, 2008; The Problem of Error, Gallery Sassa Truelzsch, Berlin, 2008; Glimpse Gallery KraskaEckstein, Bremen; Chateau Ivre, Schloss Sacrow, Potsdam; Contained, Hiscox Art Projects, London 2007 and New Contemporaries, London, 2005.

Studio: The Fourth Floor

Website: http://martinaschmuecker.wordpress.com/

Hannah Rae Alton - Artist
Website: http://www.hannahraealton.com/
Studio: The Peckham Ping Pong Club

Hannah Rae Alton - Artist

Website: http://www.hannahraealton.com/

Studio: The Peckham Ping Pong Club

Gary Whitworth - Sculptor
Website: http://garywhitworth.com/
Studio: The Peckham Ping Pong Club

Gary Whitworth - Sculptor

Website: http://garywhitworth.com/

Studio: The Peckham Ping Pong Club

Colin McMaster - Artist
Website: http://colinmcmaster.co.uk/
Studio: The Fourth Floor
“I paint stereotypes rather than individuals, meshing references from  the photographic storyboards of romantic comics and their heightened  sense of melodrama, with the more sinister undertones of American film  noir and pulp crime novels.
The subjects are superficially attractive but there is an underlying  sense of their narcissism and perhaps even their engagement in acts  which the viewer is compelled to interpret as illicit. As a result, the  viewer is cast as a voyeur, the perception of what’s taking place in the  paintings suspended in a double take, in an ambivalence between  observation and accusation.
Stylistically, the work owes much to the Pop Art movement. The  smoothness of the picture surface and the mannequin-like quality of the  figures heightens the feeling of artifice and blurs our sense of looking  at a painted image.”

Colin McMaster - Artist

Website: http://colinmcmaster.co.uk/

Studio: The Fourth Floor

“I paint stereotypes rather than individuals, meshing references from the photographic storyboards of romantic comics and their heightened sense of melodrama, with the more sinister undertones of American film noir and pulp crime novels.

The subjects are superficially attractive but there is an underlying sense of their narcissism and perhaps even their engagement in acts which the viewer is compelled to interpret as illicit. As a result, the viewer is cast as a voyeur, the perception of what’s taking place in the paintings suspended in a double take, in an ambivalence between observation and accusation.

Stylistically, the work owes much to the Pop Art movement. The smoothness of the picture surface and the mannequin-like quality of the figures heightens the feeling of artifice and blurs our sense of looking at a painted image.”

Robin Shepherd
Robin Shepherd is a sculptor who makes work that deals with physical space and our perception of dimensions and actions. Shepherd’s work often involves the residue of some violent action upon a seemingly formal sculpture; be it acid induced concrete cancer or the artist’s trace scoured with sandpaper. Such actions comment on the failure of artistic autonomy and challenge the viewer to question their surroundings. 
Website: http://www.robin-shepherd.com/Home.htmlStudio: FoodFace projects

Robin Shepherd

Robin Shepherd is a sculptor who makes work that deals with physical space and our perception of dimensions and actions. Shepherd’s work often involves the residue of some violent action upon a seemingly formal sculpture; be it acid induced concrete cancer or the artist’s trace scoured with sandpaper. Such actions comment on the failure of artistic autonomy and challenge the viewer to question their surroundings. 

Website: http://www.robin-shepherd.com/Home.html
Studio: FoodFace projects

Anna Walsh
Anna is predominantly a painter, and animals have been         a life-long theme for her, spanning from early childhood right up to         and beyond her MA at Camberwell College of Art.
Her work draws on her childhood memories and expresses         her knowledge and love of the natural world through photographs and books         as well as painting, illustration and mixed media.
She produces work in a range of contexts from her ironic         illustrations for textile products and limited edition prints, to more         thought-provoking collections for exhibitions about endangered species         or specific breeds.
Anna has an annual solo show in Notting Hill and is very     active with commissions and exhibitions across London and the UK.
Website: http://www.annawalsh.co.uk/
Studio: Garudio Studiage

Anna Walsh

Anna is predominantly a painter, and animals have been a life-long theme for her, spanning from early childhood right up to and beyond her MA at Camberwell College of Art.

Her work draws on her childhood memories and expresses her knowledge and love of the natural world through photographs and books as well as painting, illustration and mixed media.

She produces work in a range of contexts from her ironic illustrations for textile products and limited edition prints, to more thought-provoking collections for exhibitions about endangered species or specific breeds.

Anna has an annual solo show in Notting Hill and is very active with commissions and exhibitions across London and the UK.

Website: http://www.annawalsh.co.uk/

Studio: Garudio Studiage

Richard Butler
Web: http://www.richardjbutler.comStudio: Studio Phos

Richard Butler

Web: http://www.richardjbutler.com
Studio: Studio Phos

Patrick Higgs currently uses a language derived from         constructivism within his paintings to create imagery inspired by         abstraction from nature. Mechanical production is implied by the         paintings’ graphic and print-like appearance, yet up close there is         subtle evidence of the artist’s brushwork. The tension between nature’s         order and arbitrariness is demonstrated in the often-ambiguous spatial         layers that are slowly built up within each painting.
Website: http://www.patrickhiggs.co.uk
Studio: FoodFace

Patrick Higgs currently uses a language derived from constructivism within his paintings to create imagery inspired by abstraction from nature. Mechanical production is implied by the paintings’ graphic and print-like appearance, yet up close there is subtle evidence of the artist’s brushwork. The tension between nature’s order and arbitrariness is demonstrated in the often-ambiguous spatial layers that are slowly built up within each painting.

Website: http://www.patrickhiggs.co.uk

Studio: FoodFace

Martina Schmuecker 
Martina Schmuecker makes sculptures in the widest sense of the word.  Using herself as well as directing actors in her work, she creates  visually stunning images that remind us of the tableaux vivant. The  performances are moments of still reflection on a sculptural image,  using elements of architecture and furniture as props as well as playing  with well-known images from art history. Her current research concerns  the relationship between what is seen, what is remembered, and how this  memory changes in time; resulting in the theatre play Feedback Room. The play was realised during a residency at the Irish Museum of Modern Art, Dublin, in 2010. Recent exhibitions include Visual Mechanics, Malta Contemporary, Valletta, 2009; Beyond the Pale Yellow Amusementpark, Campbell Works, London, 2008; The Problem of Error, Gallery Sassa Truelzsch, Berlin, 2008; Glimpse Gallery KraskaEckstein, Bremen; Chateau Ivre, Schloss Sacrow, Potsdam; Contained, Hiscox Art Projects, London 2007 and New Contemporaries, London, 2005.
Studio: The Fourth Floor
Website: http://martinaschmuecker.wordpress.com/

Martina Schmuecker

Martina Schmuecker makes sculptures in the widest sense of the word. Using herself as well as directing actors in her work, she creates visually stunning images that remind us of the tableaux vivant. The performances are moments of still reflection on a sculptural image, using elements of architecture and furniture as props as well as playing with well-known images from art history. Her current research concerns the relationship between what is seen, what is remembered, and how this memory changes in time; resulting in the theatre play Feedback Room. The play was realised during a residency at the Irish Museum of Modern Art, Dublin, in 2010. Recent exhibitions include Visual Mechanics, Malta Contemporary, Valletta, 2009; Beyond the Pale Yellow Amusementpark, Campbell Works, London, 2008; The Problem of Error, Gallery Sassa Truelzsch, Berlin, 2008; Glimpse Gallery KraskaEckstein, Bremen; Chateau Ivre, Schloss Sacrow, Potsdam; Contained, Hiscox Art Projects, London 2007 and New Contemporaries, London, 2005.

Studio: The Fourth Floor

Website: http://martinaschmuecker.wordpress.com/

PAUL BOWER
Website: http://paulbower.co.uk/
Agency: Pocko

PAUL BOWER

Website: http://paulbower.co.uk/

Agency: Pocko

Alicia Logan
Images

Alicia Logan

Images

Hannah Rae Alton - Artist
Website: http://www.hannahraealton.com/
Studio: The Peckham Ping Pong Club

Hannah Rae Alton - Artist

Website: http://www.hannahraealton.com/

Studio: The Peckham Ping Pong Club

Gary Whitworth - Sculptor
Website: http://garywhitworth.com/
Studio: The Peckham Ping Pong Club

Gary Whitworth - Sculptor

Website: http://garywhitworth.com/

Studio: The Peckham Ping Pong Club

Colin McMaster - Artist
Website: http://colinmcmaster.co.uk/
Studio: The Fourth Floor
“I paint stereotypes rather than individuals, meshing references from  the photographic storyboards of romantic comics and their heightened  sense of melodrama, with the more sinister undertones of American film  noir and pulp crime novels.
The subjects are superficially attractive but there is an underlying  sense of their narcissism and perhaps even their engagement in acts  which the viewer is compelled to interpret as illicit. As a result, the  viewer is cast as a voyeur, the perception of what’s taking place in the  paintings suspended in a double take, in an ambivalence between  observation and accusation.
Stylistically, the work owes much to the Pop Art movement. The  smoothness of the picture surface and the mannequin-like quality of the  figures heightens the feeling of artifice and blurs our sense of looking  at a painted image.”

Colin McMaster - Artist

Website: http://colinmcmaster.co.uk/

Studio: The Fourth Floor

“I paint stereotypes rather than individuals, meshing references from the photographic storyboards of romantic comics and their heightened sense of melodrama, with the more sinister undertones of American film noir and pulp crime novels.

The subjects are superficially attractive but there is an underlying sense of their narcissism and perhaps even their engagement in acts which the viewer is compelled to interpret as illicit. As a result, the viewer is cast as a voyeur, the perception of what’s taking place in the paintings suspended in a double take, in an ambivalence between observation and accusation.

Stylistically, the work owes much to the Pop Art movement. The smoothness of the picture surface and the mannequin-like quality of the figures heightens the feeling of artifice and blurs our sense of looking at a painted image.”

Jo Dennis - ArtistWebsite: http://www.jo-dennis.co.uk/
Studio: The Fourth Floor

Jo Dennis - Artist

Website: http://www.jo-dennis.co.uk/

Studio: The Fourth Floor

Robin Shepherd
Robin Shepherd is a sculptor who makes work that deals with physical space and our perception of dimensions and actions. Shepherd’s work often involves the residue of some violent action upon a seemingly formal sculpture; be it acid induced concrete cancer or the artist’s trace scoured with sandpaper. Such actions comment on the failure of artistic autonomy and challenge the viewer to question their surroundings. 
Website: http://www.robin-shepherd.com/Home.htmlStudio: FoodFace projects

Robin Shepherd

Robin Shepherd is a sculptor who makes work that deals with physical space and our perception of dimensions and actions. Shepherd’s work often involves the residue of some violent action upon a seemingly formal sculpture; be it acid induced concrete cancer or the artist’s trace scoured with sandpaper. Such actions comment on the failure of artistic autonomy and challenge the viewer to question their surroundings. 

Website: http://www.robin-shepherd.com/Home.html
Studio: FoodFace projects

Anna Walsh
Anna is predominantly a painter, and animals have been         a life-long theme for her, spanning from early childhood right up to         and beyond her MA at Camberwell College of Art.
Her work draws on her childhood memories and expresses         her knowledge and love of the natural world through photographs and books         as well as painting, illustration and mixed media.
She produces work in a range of contexts from her ironic         illustrations for textile products and limited edition prints, to more         thought-provoking collections for exhibitions about endangered species         or specific breeds.
Anna has an annual solo show in Notting Hill and is very     active with commissions and exhibitions across London and the UK.
Website: http://www.annawalsh.co.uk/
Studio: Garudio Studiage

Anna Walsh

Anna is predominantly a painter, and animals have been a life-long theme for her, spanning from early childhood right up to and beyond her MA at Camberwell College of Art.

Her work draws on her childhood memories and expresses her knowledge and love of the natural world through photographs and books as well as painting, illustration and mixed media.

She produces work in a range of contexts from her ironic illustrations for textile products and limited edition prints, to more thought-provoking collections for exhibitions about endangered species or specific breeds.

Anna has an annual solo show in Notting Hill and is very active with commissions and exhibitions across London and the UK.

Website: http://www.annawalsh.co.uk/

Studio: Garudio Studiage

Richard Butler
Web: http://www.richardjbutler.comStudio: Studio Phos

Richard Butler

Web: http://www.richardjbutler.com
Studio: Studio Phos

Gareth Owen Lloyd
Website: www.garethowenlloyd.com

Gareth Owen Lloyd

Website: www.garethowenlloyd.com

About:


The Bussey Building is an early 20th century reinforced concrete industrial structure, brick-clad with most of its decorative features on the side facing the railway tracks. It originally acted as advertising for Bussey and Co, the well-known sporting goods manufacturers. George Bussey was an eminent Victorian industrialist and entrepreneur. The factory made cricket bats from its own willow farm in Suffolk. There are magnificent views of central London from the three roofs. The factory was, when it was built, one of Peckham’s tallest buildings.

Now known as CIP House, in the Copeland Industrial Park, it is tucked away behind Bournemouth Road and Rye Lane. The Park hosts many small businesses, artists, faith groups, and cultural arts and exhibition spaces.

This website is a directory of some of the many cultural users of this building.

The building is managed by Peckham Business Park LTD. who can be contacted here: www.copelandpark.com



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